![]() ![]() In different arcs, Jason had A Christmas Carol nightmare, Paige had a The Nutcracker nightmare, Peter had an Odyssey nightmare, and Roger had a Polar Express dream. Jason: For anyone else, I'd declare this impossible. Roger is somehow able to get fire to blow out the bottom end of a grill by putting the charcoal in upside-down. Achievements in Ignorance: Provides the page image.The Ace: Grandma, although she also ends up deconstructing The Ace a bit in her first appearance when she learns that her Monty Oum levels of awesome had given Andy resentment and a desire to prove herself since the seventh grade.In the final panel, we see that he was actually aiming for Roger's much closer glove. Accidental Aiming Skills: Peter throws a baseball at an apparently far-off tin can sitting on a fence post.note A different strip mentions that he has managed to completely wallpaper his room with glow-in-the-dark stickers from his cereal. Then Andy questions him about how many glow-in-the-dark toys he has. which does nothing to change the light level in his room. Yet another has Andy saying goodnight to Jason and turning off his light.In another strip, Jason catches so many fireflies that their combined light, collected together in a jar, turns night to day and prompts Jason to ask Peter to find his sunglasses.As he ponders how it would work indoors, Peter shows off his new 50,000-watt flashlight and generates this effect. One strip has Jason ponder cartoonist corner-cutting techniques such as justifications for leaving a blank panel.I'm getting $20 million from a Ugandan for $350.Īndy: This is where you say "Just kidding". It's a total rip-off.Īndy: Gosh, you think so? Roger: Andy, Andy, Andy, just delete the the e-mail. A Nigerian widow is offering to give me $10 million if I send her $500 for paperwork. Written and drawn by a genuine nerd, which makes for a lot of in-jokes with Jason's video games, comic books and general geekery.Īt the end of 2006, the strip changed to be Sunday Strip-only.Īndy: Oh, look. And Jason occasionally draws a comic book called Slug-Man, whose nemesis is the evil Paige-o-Tron. Roger, the techno-fossil dad, should never be allowed to plan vacations. Andy, the health-conscious mom, tries to sneak tofu into their diet on a regular basis (and doesn't like the thermostat set above freezing). Jason plays Dungeons & Dragons with his best friend Marcus, but their battles are usually against fictitious versions of Paige. Paige has an imaginary boyfriend named Pierre who factors heavily into her dream life (the strips involving him usually repeat the phrase "Ooh, Pierre!" a lot and end with a panel outside the dream, where Paige is sleeping and Jason has Quincy (a pet iguana) pressed to her lips or the like). Peter starves himself for three days before each Thanksgiving and is an overall Big Eater to the extreme. The five main characters are each known for their various defining quirks. Most of the humor comes from the characters or commentary on pop culture, occasionally both at once. It centers on the Fox family, a reasonably average 3-child household. So here's an exhaustive list of some of the best romantic comedies and dramas that show just how resilient Black love can be.- The first strip, published on April 10th, 1988Ī comic strip begun in 1988. Whether you want to catch up on the best Black love stories before the release of Queen & Slim this November, or are celebrating The Wood's 20th anniversary, you may need a refresher course. The Black love story has evolved from singular, nuanced characters of the 90s ( Love Jones) and the bloated ensemble casts of the past decade ( Jumping the Broom) to the most modern additions to the genre, many of which use contemporary socio-politics as a backdrop. ![]() “Meg Ryan and Julia Roberts became Sanaa Lathan and Queen Latifah." The mainstream's exclusive fixation on the love lives of white characters (while implicitly placing a quota on Black ones) has contributed to the rhetoric that real love is reserved for some and not others. "Nora Ephron and Nancy Meyers became Gina Prince-Bythewood and Malcolm D. Last year, writer Soraya Roberts examined the history of Black love stories as a genre. But their work was siloed they weren't just romantic films, but Black romantic films. When Nora Ephron's 1989 blockbuster When Harry Met Sally kicked off the romantic comedy boom in the 90s, it was natural that Black filmmakers wanted to rework the formula to reflect their own communities. None of the highest grossing romantic comedies of all time center on two Black leading characters, and there's a shortage of love stories that find Black people in a love as pure as Noah and Allie's in The Notebook, or Rose and Jack's in The Titanic.
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